Sebastian Korman Music
I started writing music and playing the piano when I was about 12 years old. I remember how I did put my fingers the first time on the keyboard, and right away, the profound connection made me start to write my own melodies. It must be something that comes from somewhere I just cannot explain, and luckily this has continued all through my life until today.
During my high school years I started composing, studying classical music, and exploring all kinds of contemporary composing techniques. At that time, I had the idea of having the first concert of my own compositions. For this idea to become a reality, I felt that I needed to explore new countries and cultures to be inspired for writing new music. My sister who was already staying in Italy invited me to visit there… So I found Italy in my life. This thing would affect me significantly in the future…
My first composition concert was held in the spring of 1987 and it was organized in collaboration with my hometown’s symphony orchestra. In the concert, I was performing as a pianist and conductor. The program included my latest works for string quartet, quintetto, string orchestra. and a piece for solo piano, The style of my music at that time was still more traditional in many aspects.
As a bonus element in my concert, I was projecting art photographs on the screen behind the orchestra. Maybe that was already a hint of my hidden desire to break tight classical rules and boundaries and mix different artistic elements together to create something interesting for all our senses.
Composing in Florence, 1986.
Practising in Helsinki, 1992.
Later that same year, I had my next concert once again in St. Petersburg (the Small Hall of the Saint-Petersburg Philharmonia) with an entirely new program including e.g. my new string quartet and solo piano compositions. I was fortunate again to have Dmitri Klimov as a soloist for my solo piano composition.
The next world-class Russian musician I got to know was a multi-award winning cellist Alexej Massarskij. He performed my new solo cello composition titled ”Nostalghia” which was inspired by Andrei Tarkovsky’s film.
That same year, I attended the ”Time of Music” composing course again. This time the teacher was a multi-award winning and critically acclaimed composer, York Höller, from Germany. Once again, just like with Jean-Claude, from him, I learned not only a new approach for composing but also different views and things about being a composer. You can learn more from him here.
My path crossed with the cellist Alexej Massarskij again in 1994 on my next concert in Finland when he came to perform my solo cello composition ”Constellations”. I wrote that solo cello work especially for him. The idea, structure, and composition were truly inspired by one of Japan’s leading, and for me one of the most interesting contemporary artist, Toshikatsu Endo‘s text.
Working with such a brilliant musician will always teach you so many valuable things about composing and making music together with live musicians.
With Alexej in Finland, 1994.
During the last decades, I have kept going on my endless artist journey. I have been developing and expanding my musical language, palette and techniques.
The album trilogy Veins of the Sea 1-3 will be released in 2020 and will be available from the biggest music online stores.
Inspiration sources behind the album trilogy:
Water is one of the basics of life and a unique element that, in all its forms, has inspired me throughout my life, often even unknowingly. If for some reason I cannot see the sea or experience the proximity of the water for some time, then I have the perpetual longing and feeling that something is missing. This feeling is like a mystical attraction that always retracts at many levels of emotion. In this series, I give this element, in all its interactive forms of expression with nature, a unique place in my life.